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However, once its dramatic questions are clarified, the show falls back into its rhythm of entertaining action peppered with social commentary, largely born from placing non-white characters in traditionally white settings, like those of Maurice Leblanc’s original novels. “Chapter 6” has an admittedly awkward start, since Guedira finding Diop doesn’t seem to line up with what Part 1 had teased. Last season’s finale, “Chapter 5,” ended with the gripping one-two-punch of Diop’s son Raoul (Etan Simon) being kidnapped just as detective and fellow Lupin enthusiast Youssef Guedira (Soufiane Guerrab) caught up to the master thief.
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Part 3 has already been confirmed, but this second block of episodes is a fun and satisfying conclusion to Diop’s story - at least, for the time being. Lupin: Part 2 largely surpasses Part 1, and it even overcomes a few genuinely deflating rug-pulls to create a season with swift pacing, alluring characters, and a clockwork action climax right out of a spy thriller. Part 2, despite its bizarre penchant for diffusing tension at key moments, is much tighter than its predecessor, and it allows Sy to embody a much more interesting version of Diop, a man now dealing with the ripple effects of a criminal life he had hoped to leave behind. The French thriller’s first five episodes were largely set-up, but they make way for a second-half filled with mile-a-minute payoffs since the police and other forces are hot on Diop’s heels when the season begins. Lupin’s second season picks up where Part 1 left off, diving headfirst into the ongoing cat-and-mouse game between Assane Diop (Omar Sy) - a modern-day Parisian swindler taking after Arsène Lupin, the fictional gentleman thief - and Hubert Pellegrini (Hervé Pierre), the ruthless businessman who had Diop’s father framed for theft.